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I shot my first film on 16 millimeter inside the eight-foot mirrored cube “optical sculpture” I had built in 1966, and on exterior locations, as a blissful celebration of the visual tools and techniques I found at my disposal. Bruce Baillie’s Castro Street (1966) confirmed my intuition that making visually defined films was the direction I wanted to pursue.
Cine
Dispositivo
Plataformas
Gratis
Alternativas
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