Ernie Gehr
Director
80
Movies
0
TV Shows
"Born in 1941, he began making eight-millimeter films in the mid-’60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered “the character of light” and learned about “cinema’s dependency on light.”
(from NYTimes profile by Manohla Dargis. Full piece here: http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)
Behind the Camera
20 Little Films
Director
Along Brighton Beach Avenue
Director
Still
Director
Undertow
Director
Workers Leaving the Factory (after Lumière)
Director
Panoramas of the Moving Image: Mechanical Slides and Dissolving Views from Nineteenth-Century Magic Lantern Shows
Director
Lisa and Suzanne
Director
Delirium
Director
Untitled
Camera Operator, Editor, Director
Serene Velocity
Director
South Station
Director
New York Central
Director
Sunday in Paris
Director
Field
Director, Escritor
Rear Window
Director
Modern Navigation
Director
For Daniel
Director
水咒
Thanks
Signal - Germany on the Air
Director
Side/Walk/Shuttle
Director
Transport
Director
Table
Director
Mirage
Director
Greene Street
Director
Eureka
Director
Back in the Park
Director
In Slumberland (Thanks to Winsor McCay)
Director
Cotton Candy
Director
Photographic Phantoms
Director
Construction Sight
Director