Marianne Hoppe
Actor/Actriz
32
Movies
9
TV Shows
Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1]
Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1]
One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1]
During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born.
Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf.
Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."
As Actor/Actress
Tatort
Witness
Der Alte
Johanna Martinek
Bambi
Self
Der Kommissar
Johanna Blago
Heut' abend
Self
Falso movimiento
Mother
Zeugen des Jahrhunderts
Self
Kir Royal
Claire Maetzig
Der Schatz im Silbersee
Mrs. Butler
Der Tod läuft hinterher
Madame Brassac
Die Magermilchbande
Tante Doda
Nur eine Nacht
die Frau
Ten Little Indians
Elsa Grohmann
Die seltsame Gräfin
Mary Pinder, verw. Moron
Der Herrscher
Inken Peters
Schloß Königswald
Gräfin Hohenlohe
Kapriolen
Mabel Atkinson
Francesca
Herself
Die Königin – Marianne Hoppe
Romanze in Moll
Madeleine
Hitlers Hollywood
Various Roles (archive footage)
Die Goldsucher von Arkansas
Mrs. Brendel
Die Werft zum grauen Hecht
Käthe Liebenow
Anschlag auf Schweda
Regine Kessler
Das verlorene Gesicht
Johanna Stegen alias Luscha
Kongo-Express
Renate Brinkmann
Schicksal aus zweiter Hand
Irene Scholz
Schwarzer Jäger Johanna
Johanna Luerssen
Alles hört auf mein Kommando
Hella Bergson
Der Schritt vom Wege
Effi Briest