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After the bri(n)s and the threads of images, come these fragments, of various shapes, mostly circular, flared or full, with various inclusions, and threads leading back to a more abstract original rhythm. The editing was done directly in the optical printer. The views that I have appropriated are once again found footage chosen according to my convictions: there is thus a certain derision in weaving and interweaving these faces of anonymous and serious men with these youthful and blissful communicants, whose naivety escapes no one. I hope, as I wished, that each image is in itself a painting, on which it is not incongruous to stop for a few quarters of a second.