Paul Sharits
Director
36
Películas
0
Series
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
Detrás de Cámaras
Fluxfilm Anthology 1962-1970
Director
Bad Burns
Director
Apparent Motion
Director
Declarative Mode
Productor, Director
Tails
Director
Rapture
Productor, Director
Wrist Trick
Director
Epileptic Seizure Comparison
Director
Axiomatic Granularity
Director
Word Movie
Director
T,O,U,C,H,I,N,G
Director
Razor Blades
Director
Dots 1 & 2
Director
Sound Strip/Film Strip
Director
Inferential Current
Director
Unrolling Event
Director
3rd Degree
Director
Wintercourse
Director
Analytical Studies III - Color Frame Passages
Director
Episodic Generation
Director
N:O:T:H:I:N:G
Director
Analytical Studies IV: Blank Color Frames
Director
Analytical Studies II: Unframed Lines
Director
Sears Catalogue 1-3
Director
Analytical Studies I: The Film Frame
Director
Brancusi's Sculpture Garden at Tirgu Jiu
Director
Synchronousoundtracks
Director
S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED
Director
Como Actor/Actriz
Cinématon
N°120
Birth of a Nation
Self
Home Movies 1971-81
Funtime at the Vasulkas
Cinématon n°120 : Paul Sharits
Paul Sharits Interview with Gerard O'Grady
himself
Paul Sharits
Himself
Rapture
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
Liveraccio