Paul Winkler
Director
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Paul Winkler is a German-born Australian filmmaker who lives and works in Sydney. He was associated with Corinne and Arthur Cantrill, Albie Thoms and David Perry in pioneering local experimental film production in the 1960s.
Winkler characterises his films as "a synthesis of intellect and emotion, filtered through the plastic material of film". "I try to let 'imagines' flow freely to the surface". The ideas which he terms ‘imagines’ may reflect Australian icons like Bondi Beach, Ayers Rock/Uluru and the Sydney Harbour Bridge, or textures, as in Bark/Rind, Green Canopy, and the bush.
In 1973, Winkler's film Dark identified with the Aboriginal land rights movement, acquiring a spirituality which was also manifested in Chants and Red Church. Later films take contemporary society for their subject, as in Rotation, Time out for Sport and Long Shadows. His early apprenticeship is recalled in Brickwall, Backyard and Brick and Tile.
In 1995, the Museum of Contemporary Art and Sydney Intermedia Network mounted a retrospective screening of 30 of his films. The following year, the Carpenter Center for the Visual Arts, Harvard University, USA screened 30 films in a three-day retrospective. The Museum of Modern Art in New York, USA holds 15 of his films in their collection.
Detrás de Cámaras
Cars
Director
Fishtank
Director
Bark-Rind
Director
Angel
Director
Barbie and Friends
Director
Turmoil
Director
Shooting Arrows
Director
Australian Bush
Director
Red & Green
Director
Drums + Trains
Director
Elevated Shores
Director
Long Shadows
Director
Faint Echoes
Director
Urban Spaces
Director
Incongruous
Director
Brickwall
Director
Requiem No. 1
Director
Pop Kitsch
Director
Window
Director
Morbid Sheep
Director
Many Buddhas
Director
Dark
Director
Scars
Director
Traces
Director
Bondi
Director
Green Canopy
Director
Ayers Rock
Director
Backyard
Director
Facades
Director
Time Out For Sport
Director