Eugen Schüfftan
Dir. de Fotografía
61
Películas
1
Series
From Wikipedia, the free encyclopedia
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Detrás de Cámaras
Metrópolis
Visual Effects
Hawkeye and the Last of the Mohicans
Dir. de Fotografía
Ulisse
Special Effects
El Jugador
Dir. de Fotografía
Napoléon
Supervisor de VFX, Special Effects
Los ojos sin rostro
Dir. de Fotografía
The Dark Mirror
Visual Effects
The Strange Woman
Productor
Lilith
Dir. de Fotografía
Le quai des brumes
Dir. de Fotografía
Something Wild
Dir. de Fotografía
It Happened Tomorrow
Technical Supervisor
Vidocq, el Bribón de París
Production Supervisor, Dir. de Fotografía
Menschen am Sonntag
Dir. de Fotografía
Trois chambres à Manhattan
Dir. de Fotografía
La P..... respectueuse
Dir. de Fotografía
Captain Sindbad
Dir. de Fotografía
Die Herrin von Atlantis
Dir. de Fotografía
Sans lendemain
Dir. de Fotografía
Du haut en bas
Dir. de Fotografía
Summer Storm
Dir. de Fotografía
Manon Lescaut
Additional Photography
Abschied
Dir. de Fotografía
Yoshiwara
Dir. de Fotografía
Chappaqua
Camera Operator
La Tendre Ennemie
Dir. de Fotografía
Women in the Night
Set Decoration, Dir. de Arte, Dir. de Fotografía
Hitler's Madman
Dir. de Fotografía
The Bloody Brood
Dir. de Fotografía
Mollenard
Dir. de Fotografía