Paul Sharits
Director
36
Filmes
0
Séries
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
Por Trás das Câmeras
Word Movie
Director
Unrolling Event
Director
Analytical Studies IV: Blank Color Frames
Director
Fluxfilm Anthology 1962-1970
Director
Wintercourse
Director
Dots 1 & 2
Director
Synchronousoundtracks
Director
Razor Blades
Director
Analytical Studies III - Color Frame Passages
Director
3rd Degree
Director
Sears Catalogue 1-3
Director
Brancusi's Sculpture Garden at Tirgu Jiu
Director
Declarative Mode
Director, Productor
Analytical Studies I: The Film Frame
Director
Sound Strip/Film Strip
Director
T,O,U,C,H,I,N,G
Director
N:O:T:H:I:N:G
Director
Bad Burns
Director
S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED
Director
Axiomatic Granularity
Director
Apparent Motion
Director
Episodic Generation
Director
Rapture
Director, Productor
Analytical Studies II: Unframed Lines
Director
Wrist Trick
Director
Inferential Current
Director
Epileptic Seizure Comparison
Director
Tails
Director
Como Ator/Atriz
Cinématon
N°120
Birth of a Nation
Self
Home Movies 1971-81
Paul Sharits
Himself
Paul Sharits Interview with Gerard O'Grady
himself
Cinématon n°120 : Paul Sharits
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
Liveraccio
Rapture
Funtime at the Vasulkas