Massimo Girotti
Actor/Actriz
98
Filmes
8
Séries
Massimo Girotti (18 May 1918 – 5 January 2003) was an Italian film actor whose career spanned seven decades.
Born in Mogliano, in the province of Macerata, Girotti developed his athletic physique by swimming and playing polo. While studying engineering, he attracted the attention of Mario Soldati, who offered him a small part in the film Dora Nelson (1939), but it was not until later, in Alessandro Blasetti's La corona di ferro (The Iron Crown) (1941) and Roberto Rossellini's Un Pilota ritorna (A Pilot Returns) (1942), that he began to make an impression as a serious actor. In 1943 came a turning point in his career when Luchino Visconti cast him opposite the torrid Clara Calamai in Ossessione (Obsession), an earlier adaptation of the same novel on which Hollywood's The Postman Always Rings Twice is based. The film marked, in a sense, the birth of Italian neo-realism. Some of his notable post-war films include Caccia tragica (The Tragic Hunt) (1946) by Giuseppe De Santis and In nome della legge (1949) (In the Name of the Law) by Pietro Germi.
In 1950, he starred opposite Lucia Bosé in Michelangelo Antonioni's first full-length feature, Cronaca di un amore (Story of a Love Affair) (1950). In 1953, he played Spartacus in an Italian epic film known in the US as Sins of Rome and then, returned to work again for Visconti, in Senso (1954), giving perhaps the finest performance of his career. In the years which followed, he appeared in many mainly Italian films for directors such as Lizzani, Bolognini, Vittorio Cottafavi, Lattuada, but it was not until 1968 that he once again played a role worthy of his talents - that of the father in Pasolini's Teorema (Theorem) with Terence Stamp and Silvana Mangano. Two years later, Pasolini cast him as Creonte opposite Maria Callas in his Medea (1969). In 1972, he was in Bernardo Bertolucci's Last Tango in Paris. That same year he made a rare appearance in a horror film when he agreed to a supporting role in Baron Blood as a favor to its director Mario Bava.
He continued to act in character roles for the next thirty years. Some of the films he appeared in have been notable, including Joseph Losey's Monsieur Klein (1976) with Alain Delon and Jeanne Moreau, Art of Love (1983) by Walerian Borowczyk, the 1985 television miniseries Quo Vadis?, Roberto Benigni's Il mostro (The Monster) (1994).
He died in Rome of a heart attack after having just completed his last film, Ferzan Özpetek's La Finestra di fronte (Facing Windows) (2003).
Source: Article "Massimo Girotti" from Wikipedia in English, licensed under CC-BY-SA.
Como Ator/Atriz
El último tango en París
Marcel
Il mostro
il condomino distinto
Quo Vadis?
Aulus Plautius
Cristoforo Colombo
Duca Medina Coeli
Teorema
Paolo, the Father
La Révolution Française
L'envoyé du Pape (« Les Années Lumière »)
L'innocente
Count Stefano Egano
Alle origini della mafia
Viceroy Caracciolo
Medea
Creonte
La Révolution française
Envoyé du Pape
Passione d'amore
Colonel
Desiderio
Nando Mancini
Ossessione
Gino Costa
Красная палатка
Giuseppe Romagna Manoja
Senso
Il Marchese Roberto Ussoni
Mr. Klein
Charles, Florence's husband
Le streghe
Sportsman (segment "La strega bruciata viva")
Der Ochsenkrieg
Someier
Jekyll
John Utterson
Romolo e Remo
Tazio
Caccia tragica
Michele
Il giorno più corto
Capitano alla finestra (uncredited)
La finestra di fronte
Simone / Davide Veroli
Gli orrori del castello di Norimberga
Dr. Karl Hummel
Il segno del comando
George Powell
Der Erfolg ihres Lebens
Le comte di Falco
Interno berlinese
Werner von Heiden
Cinecittà, de Mussolini à la Dolce Vita
Self (archive footage)
Fabiola
Sebastian
La sospechosa muerte de una menor
Gaudenzio Pesce