Jean-Pierre Jeunet
Director
29
Filmes
4
Séries
Jean-Pierre Jeunet is a French film director and screenwriter known for the films Delicatessen, The City of Lost Children, Alien: Resurrection and Amélie.
Jean-Pierre Jeunet was born in Roanne, Loire, France. He bought his first camera at the age of 17 and made short films while studying animation at Cinémation Studios. He befriended Marc Caro, a designer and comic book artist who became his longtime collaborator and co-director. They met at an animation festival in Annecy in 1974.
Together, Jeunet and Caro directed award-winning animations. Their first live action film was The Bunker of the Last Gunshots (1981), a short film about soldiers in a bleak futuristic world. Jeunet also directed numerous advertisements and music videos, such as Jean Michel Jarre's Zoolook (together with Caro).
Jeunet's films often resonate with the late twentieth century French film movement, cinéma du look, and allude to themes and aesthetics involving German expressionism, French poetic realism, and the French New Wave.
Jeunet and Caro's first feature film was Delicatessen (1991), a melancholy comedy set in a famine-plagued post-apocalyptic world, in which an apartment building above a delicatessen is ruled by a butcher who kills people in order to feed his tenants.
They next made The City of Lost Children (1995), a dark, multi-layered fantasy film about a mad scientist who steals children's dreams so that he can live indefinitely.[3] The success of The City of Lost Children led to an invitation to direct the fourth film in the Alien series, Alien: Resurrection (1997). This is where Jeunet and Caro ended up going their separate ways as Jeunet believed this to be an amazing opportunity and Caro was not interested in a film that lacked creative control working on a big-budget Hollywood movie. Caro ended up assisting for a few weeks, with costumes and set design but afterwards, decided to work on a solo career in illustration and computer graphics.
Jeunet directed Amélie (2001), starring Audrey Tautou. Amélie is the story of a woman who takes pleasure in doing good deeds but has trouble finding love herself, was a huge critical and commercial success worldwide and was nominated for several Academy Awards. For this film, Jeunet also gained a European Film Award for Best Director.
Jeunet has also directed numerous commercials including a 2'25" film for Chanel N° 5 featuring his frequent collaborator Audrey Tautou.
Description above from the Wikipedia article Jean-Pierre Jeunet, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Por Trás das Câmeras
Amélie
Director, Guionista
Alien: La resurrección
Director
La ciudad de los niños perdidos
Guionista, Director, Additional Dialogue
Delicatessen
Director, Guionista
The Young and Prodigious T.S. Spivet
Director, Productor, Escritor
Amor eterno
Director, Guionista, Productor
Bigbug
Guionista, Productor, Director
De l'autre côté
Dir. de Fotografía
Micmacs à tire-larigot
Director, Escritor, Productor
Casanova
Director
Le Bunker de la dernière rafale
Director, Diseño de Vestuario, Dir. de Fotografía, Editor, Escritor
Casanova
Director
Deux escargots s’en vont
Director, Escritor
Foutaises
Director, Escritor, Editor
La véritable histoire d'Amélie Poulain
Director, Escritor
The King of Ads, Part 2
Director
Looop
Productor
L'évasion
Director
Inside the Making of - Amélie
Director
Pas de repos pour Billy Brakko
Director, Guionista, Editor
Le Manège
Escritor, Animation, Director
Como Ator/Atriz
Spécial cinéma
Self
Eurotrash
Le Voyage extraordinaire
Self - Filmmaker
« Alien » : terreur sur grand écran
Self - Filmmaker
Un jour dans la vie du cinéma français
Self
The Alien Saga
Self (archive footage)
One Step Beyond: The Making of Alien Resurrection
Self
Le Bunker de la dernière rafale
Cinéma… par Albert Dupontel
Self
La véritable histoire d'Amélie Poulain
Self
The Original+
Self - Guest
Le train où vont les choses
Self
Une année au front : dans les coulisses de "Un long dimanche de fiançailles"
Self
Pas de repos pour Billy Brakko
L'extravagante petite vie de Jean-Claude D. Dreyfus
Self (archive footage)