Maria Michi
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Maria Michi (14 May 1921 – 7 April 1980) was an Italian supporting actress who worked with Roberto Rossellini on his two early neorealism masterpieces: Rome, Open City and Paisà.
Michi worked first as a typist at a law firm, then as an usherette at Teatro Quattro Fontane in Rome. She was noticed and given small parts in the company of Sergio Tofano and Diana Torrieri during the 1942-1943 season. Critic Irene Bignardi called her "a woman very near the resistance and the Communist Party". In 1948, she worked with Christian-Jaque in La Chartreuse de Parme. She was married in September 1949 to Duke Augusto Torlonia, and left the world of cinema for the theater, particularly working with director Guido Salvini. The marriage was annulled in San Marino in 1956. She resumed her film career in the 1960s and 1970s, when she did 12 films, including Bernardo Bertolucci's Last Tango in Paris and Tinto Brass's Salon Kitty, her last film.
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Aktör / Aktris olarak
Paris'teki son tango
Rosa's Mother
Kedicik Salonu
Hilde
Roma, açık bir şehir
Marina Mari
Köylü
Francesca
Mont-Ejderha
Hortense Dubois - la femme d'Armand
Sebepsiz
Prenses
Monza'nın rahibesi
Sister Bianca Homati
Solange'a ne yaptın?
Brenda's Mother (uncredited)
Ayrılık
La Troisième Parque
Per le antiche scale
la pazza aggressiva
Parma Şartı
Marietta
Blu Gang e vissero per sempre felici e ammazzati
Mama Blue
Savaş hukuku
signora Macusar
Irene, Irene
Maria
Fatalità
Paola
Aşkın başlangıcı
Çay
Jacopo Ortis'in son mektupları
L'altra
'Angelo' Morelli