Carmelo Bene
Aktör/Oyuncu
43
Filmler
0
TV Programları
The filmmaking career of Carmelo Bene (1937 - 2002) lasted from 1968 to 1973, six years out of a lengthy time spent in the theater that made Bene one of the most celebrated figures of the Italian avant-garde in the second half of the 20th century.
Bene first made a name for himself with a controversial production of Camus’ Caligula in Rome in 1959. Subsequent productions retained this sense of notoriety, and Bene (like Pasolini) quickly acquired a police record. Bene, however, would come to bemoan the controversy his work created, because it attracted an audience looking for shocks and titillation, while he himself was more concerned with reinventing the vocabulary of the theater: sets, gestures, texts.
Bene’s turn to cinema expanded that quest to reinvent. His films resist synopsis because, although they are often derived from narrative sources, Bene uses these sources against themselves and as a springboard for his critique of the stultifying traps of representation and interpretation. The films are wildly inventive and visually arresting on several levels: the performance styles of his actors, including eccentric movements, gestures and grimaces; the sets, costumes and makeup; the editing; and the use of the camera, with stable shots regularly punctuated by handheld camera work, extreme close ups and the occasional baroque use of zooms, dollies, cranes, elaborate pans and exaggerated camera angles. They resemble something like the work of Jack Smith crossed with the experimental Pasolini of Teorema and Pigsty.
One constant feature of Bene’s work is its satire of heterosexuality. The two sexes keep trying to communicate with each other, but always fail to do so. Bene’s work constantly deflates masculinist pretenses at mastery: his male characters tend to be hapless and often hysterical, while his female characters are alternately predatory and remote, and unknowable in either case. But this satire is merely the most visible form of Bene’s revolt against convention and communication. Over and over again in the films, everyday actions become hopelessly complicated or endlessly interrupted. His characters often end up staring quizzically offscreen or even into mirrors, as if they were no more sure than we are of the meaning of what they see. Indeed, identity and by extension agency seem to get suspended, along with meaning. What is left is glorious spectacle and enigmas for the eyes and ears: endless music; babbling, stuttering text; excessive and exciting images. – David Pendleton
Aktör / Aktris olarak
Kral Oedipus
Kreon
Colpo rovente
Billy Desco
Türklerin Hanımefendisi
Kahraman
Tre nel mille
Pannocchia
Nekropol
Man with leather jacket
Salome
Erode Antipa / Onorio
Serbest bırakılan
Rahip
Capricci
Şair
Umano Non Umano
öz
Çift kişilik
Riccardo III
Riccardo III
Bir Hamlet daha az
Hamlet
Claro
Hermitage
Adam
Necro not(to b)e
Kendisi
Macbeth Horror Suite
Carmelo Bene: Uno contro tutti
Otello o la deficienza della donna
KUYU! Oyuncunun makinesi Carmelo'nun hayatı
Pinokyo veya İlahi Takdirin Gösterisi
Pinocchio / Geppetto / Mastro Ciliegia / Grillo Parlante / Mangiafuoco / Volpe / Lucignolo
Hamlet, Carmelo Bene (Shakespeare'den Laforgue'a)
Hamlet
Il canto d'amore di Alfred J. Prufrock
Hamlet için Hommelette, anlatılamaz operet (J. Laforgue tarafından)
Hamlet
Tracce di Bene
öz
Un'ora prima di Amleto, più Pinocchio
Kendisi
Canti Orfici
Kendisi
Kuyu! Şiirde ölmenin dört farklı yolu: Mayakovski-Blok-Esènin-Pasternak
Ai Rotoli
öz
Cos'è il teatro?!
Kendisi
Don Giovanni
Don Giovanni
Kamera Arkası
Türklerin Hanımefendisi
Director, Diseño de Producción, Diseño de Vestuario, Escritor, Productor, Novela
Salome
Yönetmen, Yapımcı, Yazar
Capricci
Yönetmen, Yazar, Yapımcı
Riccardo III
Adaptasyon, Yönetmen
Bir Hamlet daha az
Director, Escritor, Dir. de Arte, Music Coordinator, Diseño de Vestuario
Hermitage
Yönetmen, Roman, Yazar
Macbeth Horror Suite
Yönetmen, Yazar
Otello o la deficienza della donna
Müdür
Pinokyo veya İlahi Takdirin Gösterisi
Director, Diseño de Vestuario, Dir. de Arte, Makeup Designer, Productor, Escritor
Hamlet, Carmelo Bene (Shakespeare'den Laforgue'a)
Guionista, Director, Dir. de Arte, Diseño de Vestuario, Productor
Hamlet için Hommelette, anlatılamaz operet (J. Laforgue tarafından)
Yapımcı, Yönetmen, Yazar
Canti Orfici
Müdür
Kuyu! Şiirde ölmenin dört farklı yolu: Mayakovski-Blok-Esènin-Pasternak
Yönetmen, Adaptasyon
Cos'è il teatro?!
Müdür
Don Giovanni
Director, Escritor, Productor, Music Coordinator, Guionista
Rushes di Otello
Müdür
L'Adelchi di Alessandro Manzoni in forma di concerto
Müdür
Voce dei Canti
Müdür
Quattro momenti su tutto il nulla
Müdür
Unutulan şiir
Müdür
Manfred, versione per concerto in forma di oratorio
Yönetmen, Yazar
Ventriloquio
Yönetmen, Adaptasyon
Aşil'in Yaralanmazlığı (Scyros ve Ilium arasında)
Director, Adaptation, Dir. de Arte, Diseño de Vestuario
Lorenzaccio, al di là di de Musset e Benedetto Varchi
Müdür
Il barocco leccese
Müdür