温贝托·毛罗
导演
108
电影
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电视节目
Humberto Duarte Mauro (30 April 1897 – 5 October 1983) was a Brazilian film director. He is often considered the greatest director of early Brazilian cinema.
Mauro's second feature film Thesouro Perdido (Lost Treasure) won the Brazilian "Film of the Year" award in 1927. Later that year, Phebo Sul America Film was reorganized into Phebo Brasil Film. The first film released under the new Phebo was Braza Dormida (Sleeping Ember). Braza Dormida was a boxoffice success and furthered Mauro's career as one of Brazil's leading directors.
In July 1929, Mauro's final film for Phebo Brasil Film, Sangue Mineiro (Blood of Minas Gerais), was shown in Cataguases. In 1930, the film was given a nationwide release. The film was critically and popularly acclaimed. This was the first film in which Mauro worked with Carmen Santos who would star in many of Mauro's later films.
Phebo Brasil Film did not have the resources to continue to produce films. Adhemar Gonzaga offered Mauro a directing job for Cinédia, which was centered in Rio de Janeiro. Gonzaga had started to shoot Lábios sem Beijos (Lips Without Kisses) which starred Carmen Santos. However, Carmen became pregnant was unable to finish production. Gonzaga handed the project over to Mauro, who both directed and photograpghed the film, in March 1930. Mauro decided to make the film silent even though sound was available. He wanted to explore the possibilities of silent film. Upon release in 1930, the film won the Jornal do Brasil film of the year award. Mauro acted as cinematographer for Cinédia's second film Muhler (Woman).
Mauro began shooting Ganga Bruta in September 1931. The film was not completed until 1933 due to cast replacements. The film was silent with synchronized sound recorded on Vitaphone discs added later. The film received little acclaim until two decades after its release.
Mauro co-directed his first talking film with Adhemar Gonzaga. A Voz do Carnaval (The Voice of Carnival) was a musical. Afterwards, Mauro left Cinédia for Brasil Vita Filme in 1934. He directed two feature films and several documentaries for Brasil Vita Filme.
In 1936, Mauro joined the Instituto de Nacional do Cinema Educativo (INCE), which was then the government office for educational and propaganda films. Mauro shot hundreds of documentaries when he was working in INCE, and he also shot his last three movies: Descobrimento do Brasil (The Discovery of Brazil), Argila (Clay), and O Canto da Saudade (The Song of Yearning). His final film was Carro de Bois (Ox Cart), a documentary, in 1974.
Description above from the Wikipedia article Humberto Mauro, full list of contributors on Wikipedia.
相机背后
Como Era Gostoso o Meu Francês
对话
Brasilianas 8 A Velha a Fiar
导演
Argila
导演、作家
巴西的发现
导演、作家、摄影指导
巴西何塞·安谢塔
对话
嘉年华之声
导演
城市新娘
剧本故事,吉奥尼斯塔
渴望之歌
导演、编剧、制片人
女人城
导演
米内拉不自信
编剧
Favela dos Meus Amores
Director, Dir. de Fotografía, Escritor, Editor, Camera Operator
Um Apólogo
导演
救赎主的觉醒
编剧、导演
O Dragãozinho Manso - Jonjoca
改编、导演
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导演、作家
不自信的人
导演
O Segredo das Asas
导演
特价
Director, Guionista, Editor, Dir. de Arte
Congonhas do Campo
导演
Flagrantes da Vida Rural: Fazendas Clássicas
导演、编剧
Corpo de Bombeiros do Distrito Federal
导演
Estudo das grandes endemias – aspectos regionais brasileiros
导演、摄影指导
O Cysne
导演
Barão do Rio Branco
导演
女士
摄影指导
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导演、作家
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导演
Os Músculos Superficiais do Corpo Humano
导演、摄影指导、剪辑师
Abastecimento d'Água do Rio de Janeiro (História da Água)
导演
罗马人
导演、摄影指导、剪辑师
作为演员/演员
温贝托·毛罗
他本人(存档)
拼贴画
自己
城市新娘
渴望之歌
Januário
Mulheres de Cinema
自己
特价
Entrevista de Humberto Mauro a David Neves e Alex Viany
他自己
Humberto Mauro: Eu Coração Dou Bom
他自己
Flagrantes da Vida Rural: Fazendas Clássicas
自我(未署名)
Mauro, Humberto
Memória de Helena
Tio Mário
女士
继父
采血
仆人
温贝托·毛罗
自己
Chegada de Humberto Mauro de Veneza
自己
Lábios Sem Beijos
Namorado de D. Perpétua