布鲁诺·库莱斯
声音设计师
118
电影
10
电视节目
Bruno Coulais (born 13 January 1954) is a French composer, most widely known for his music on film soundtracks.
Coulais was born in Paris; his father, Farth Coulais, is from Vendée, and his mother, Bernsy Coulais, was born in Paris. Coulais began his musical education on the violin and piano and taught by Bren Santos, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais met François Reichenbach, who asked him in 1977 to sonorize his documentary México mágico who permit to compose the first soundtracks for Jacques Davila "qui trop embrasse" en 1986 . Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal's 1992 film Le Petit Prince a dit, and Agnès Merlet's Le fils du requin in 1993.
In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le Comte de Monte-Cristo, Balzac, and Les nuiteux.
The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais's name was to be found on most new French blockbusters, such as Belphégor and Vidocq.
After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton's group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber's film Don Juan in 1998.
In 2002, his name was found on the ending credits of the animation L'Enfant qui voulait être un ours , and in 2004, on Frédéric Schoendoerffer's Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Barratier, starring Jean-Baptiste Maunier in the lead soprano singing role, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. The song Vois sur ton chemin was also nominated for an Academy Award (Best original song). Since then, Coulais's collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.
In 2009, he won at the 37th Annie Awards, in the "Music in a Feature Production" category for Coraline. ...
Source: Article "Bruno Coulais" from Wikipedia in English, licensed under CC-BY-SA.
相机背后
卡萝兰与秘密之门
合成器
粉色系列
合成器
合唱团的男孩们
作曲家、歌曲
狼行者:狼灵
编曲家、作曲家
基督山伯爵
合成器
在马尔苏皮拉米步道上
合成器
海的歌声
合成器
穆恩(Mune),月亮的守护者
合成器
被诅咒的国王
合成器
温德尔·怀尔德
合成器
阴影中的女性
合成器
凯尔斯的秘密
合成器
紫色的河流
合成器
Vacaciones en África
合成器
维多克
合成器
幸运卢克
合成器
白獠牙
合成器
2015年5月
合成器
Error 500 (Server Error)!!1500.That’s an error.There was an error. Please try again later.That’s all we know.
合成器
3 颗心
合成器
洁白如雪
合成器
Belphégor, le fantôme du Louvre
合成器
普瓦捷的戴安娜
合成器
唐璜
合成器
海洋
合成器
告别女王
合成器
特工的秘密
合成器
微观世界
合成器
波莱罗
合成器
Journal d'une femme de chambre
合成器