玛丽安·霍普
演员
33
电影
9
电视节目
Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1]
Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1]
One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1]
During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born.
Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf.
Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."
作为演员/演员
犯罪现场
证人
老人
Johanna Martinek
小鹿斑比
自己
专员
Johanna Blago
今天晚上
自己
世纪见证者
自己
基尔·罗亚尔
Claire Maetzig
假动
母亲
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布拉萨克夫人
Die Magermilchbande
Tante Doda
银湖里的宝藏
Mrs. Butler
十个小印第安人
Elsa Grohmann
希特勒好莱坞
各种角色(档案片段)
统治者
Inken Peters
Die Goldsucher von Arkansas
Mrs. Brendel
一个不重要的女人
海丝特
Das verlorene Gesicht
Johanna Stegen alias Luscha
莫尔的小说
玛德琳
奇怪的伯爵夫人
Mary Pinder, verw. Moron
我生命中的男人
Helga Dargatter
Kapriolen
Mabel Atkinson
施文克高级中士
Maria Schönborn, Verkäuferin im Blumenhaus Floris
国王森林城堡
Gräfin Hohenlohe
灰梭子鱼的造船厂
Käthe Liebenow
Die Königin – Marianne Hoppe
灰色骑士
Elke Volkerts
弗朗西斯卡
她自己
从道路上迈出的一步
埃菲·布里斯特
13头小驴和Sonnenhof
Martha Krapp
Wenn der Hahn kräht
玛丽