卡梅罗·贝内
演员
43
电影
0
电视节目
The filmmaking career of Carmelo Bene (1937 - 2002) lasted from 1968 to 1973, six years out of a lengthy time spent in the theater that made Bene one of the most celebrated figures of the Italian avant-garde in the second half of the 20th century.
Bene first made a name for himself with a controversial production of Camus’ Caligula in Rome in 1959. Subsequent productions retained this sense of notoriety, and Bene (like Pasolini) quickly acquired a police record. Bene, however, would come to bemoan the controversy his work created, because it attracted an audience looking for shocks and titillation, while he himself was more concerned with reinventing the vocabulary of the theater: sets, gestures, texts.
Bene’s turn to cinema expanded that quest to reinvent. His films resist synopsis because, although they are often derived from narrative sources, Bene uses these sources against themselves and as a springboard for his critique of the stultifying traps of representation and interpretation. The films are wildly inventive and visually arresting on several levels: the performance styles of his actors, including eccentric movements, gestures and grimaces; the sets, costumes and makeup; the editing; and the use of the camera, with stable shots regularly punctuated by handheld camera work, extreme close ups and the occasional baroque use of zooms, dollies, cranes, elaborate pans and exaggerated camera angles. They resemble something like the work of Jack Smith crossed with the experimental Pasolini of Teorema and Pigsty.
One constant feature of Bene’s work is its satire of heterosexuality. The two sexes keep trying to communicate with each other, but always fail to do so. Bene’s work constantly deflates masculinist pretenses at mastery: his male characters tend to be hapless and often hysterical, while his female characters are alternately predatory and remote, and unknowable in either case. But this satire is merely the most visible form of Bene’s revolt against convention and communication. Over and over again in the films, everyday actions become hopelessly complicated or endlessly interrupted. His characters often end up staring quizzically offscreen or even into mirrors, as if they were no more sure than we are of the meaning of what they see. Indeed, identity and by extension agency seem to get suspended, along with meaning. What is left is glorious spectacle and enigmas for the eyes and ears: endless music; babbling, stuttering text; excessive and exciting images. – David Pendleton
作为演员/演员
俄狄浦斯王
克瑞翁
热门镜头
Billy Desco
土耳其圣母
主角
千分之三
Pannocchia
大墓地
Man with leather jacket
莎乐美
Erode Antipa / Onorio
释放的
牧师
发脾气
诗人
Umano Non Umano
自己
比斯
Riccardo III
Riccardo III
Un Amleto di meno
村庄
当然
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男人
死灵不(to b)e
他自己
Macbeth Horror Suite
Carmelo Bene: Uno contro tutti
Otello o la deficienza della donna
出色地!卡梅罗的一生,演员的机器
Pinocchio, ovvero lo spettacolo della Provvidenza
Pinocchio / Geppetto / Mastro Ciliegia / Grillo Parlante / Mangiafuoco / Volpe / Lucignolo
Amleto di Carmelo Bene (da Shakespeare a Laforgue)
村庄
阿尔弗雷德·普鲁弗洛克的情歌
Hommelette for Hamlet, operetta inqualificabile (da J. Laforgue)
村庄
Tracce di Bene
自己
Un'ora prima di Amleto, più Pinocchio
他自己
Canti Orfici
他自己
Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
Ai Rotoli
自己
Cos'è il teatro?!
他自己
唐璜
唐璜
相机背后
土耳其圣母
Director, Escritor, Novela, Productor, Diseño de Vestuario, Diseño de Producción
莎乐美
导演、编剧、制片人
发脾气
导演、制片人、作家
Riccardo III
改编总监
Un Amleto di meno
Director, Escritor, Dir. de Arte, Music Coordinator, Diseño de Vestuario
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导演、作家、小说
Macbeth Horror Suite
导演、作家
Otello o la deficienza della donna
导演
Pinocchio, ovvero lo spettacolo della Provvidenza
Director, Dir. de Arte, Productor, Makeup Designer, Diseño de Vestuario, Escritor
Amleto di Carmelo Bene (da Shakespeare a Laforgue)
Guionista, Director, Dir. de Arte, Diseño de Vestuario, Productor
Hommelette for Hamlet, operetta inqualificabile (da J. Laforgue)
作家、制片人、导演
Canti Orfici
导演
Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
改编、导演
Cos'è il teatro?!
导演
唐璜
Director, Productor, Escritor, Music Coordinator, Guionista
Rushes di Otello
导演
L'Adelchi di Alessandro Manzoni in forma di concerto
导演
Voce dei Canti
导演
Quattro momenti su tutto il nulla
导演
La poesia dimenticata
导演
Manfred, versione per concerto in forma di oratorio
作家、导演
Ventriloquio
改编、导演
In-vulnerabilità d'Achille (tra Sciro e Ilio)
Director, Diseño de Vestuario, Dir. de Arte, Adaptation
Lorenzaccio, al di là di de Musset e Benedetto Varchi
导演
Il barocco leccese
导演